Be that as it may, the first title, Le démantèlement (The disassembling) is more significant to the extent the human connections are concerned. It in reality passes on going into disrepair, a repeating theme all through the motion picture.
As it were, everything appears to disintegrate: the sheep are seeped till death as the father figure breakdown in view of budgetary issues. The casing inside the-edge impacts inside the shots from within the ranch stress Gaby’s figure holding up at the entryway, and pass on his depression. Notwithstanding his commitment for his two girls (“My life is about my little girls,” he says), Gaby is still alone. Both, and particularly Frédérique (Sophie Desmarais), the most youthful, basically don’t appear to truly think about him. Be that as it may, the depiction of the two little girls is deluding: Marie, who shows up in the initial segment of the motion picture, is really going by her dad simply because she is occupied with his cash.